Aaron Mahnke is the writer, host, and producer of Lore, a podcast about true life scary stories. When he’s not working on Lore, Mahnke writes supernatural thrillers. He lives with his family in the historic Boston area, in the very heart of Lovecraft Country and the epicenter of the Salem witch trials. You can follow him here on Twitter, and learn more about him on his website.
I chatted with Mahnke about the similarities between fairy tales and horror, and the relationship between folklore and history.
Can you start by talking a bit about LORE? Why did you decide to make the podcast? What got you interested in the history behind folklore, horror and ghost stories?
Lore is a podcast that digs into the darker side of history, uncovering the roots of common folklore and superstition, and exposing some of the more unbelievable motivations and actions of people throughout history. It’s a storytelling podcast, sort of like a fire-side chat, where I tell stories about what happened, and then try to ponder why.
Lore began as a happy accident. In an effort to grow my book sales into something that could justify the time I spent actually writing them, I tried writing a series of non-fiction essays on my five favorite New England folktales and legends. My goal was to give that away as an incentive to people willing to sign up on my fiction email list. But the project got a bit too long, and so I decided to try converting it to audio.
Continue reading Interview: Aaron Mahnke
Carmen Maria Machado writes rich, fabulist fiction that draws on fairy tales and folklore. She has some exciting publications forthcoming–including a debut short story collection, Her Body & Other Parties (Graywolf Press), and a story in The Ochre Issue of Fairy Tale Review. For this interview, however, I decided to ask Machado about an older story– “The Husband Stitch,” published by Granta in October 2014, and inspired by a frightening children’s tale, urban legends, and the experience of being an awkward kid at Girl Scout Camp.
“The Husband Stitch,” is a variation on “The Green Ribbon,” a popular scary story (I remember it well from childhood!). How did you first encounter “The Green Ribbon”? Why did you decide to write your own version of it?
I first read “The Green Ribbon” in Alvin Schwartz’s In a Dark, Dark Room and Other Scary Stories, a children’s book in the vein of his Scary Stories to Tell in the Dark series. (Though with significantly less terrifying illustrations.) Anyway, In a Dark, Dark Room had a story called “The Green Ribbon,” by which I was simultaneously repulsed and entranced. Of all the urban legend and folktale retellings in Schwartz’s oeuvre, that’s the one that stuck with me the most.
Later, when I was in graduate school, I was hanging out with friends when Scary Stories to Tell in the Dark came up in conversation. That series pretty much scared everyone in my generation, and each person in my group had a different story from it that’d scared the bejeesus out of them as kids.
My brain kept returning to “The Green Ribbon,” and it occurred to me that there are all kinds of interesting currents about gender running beneath that story’s deceptively simple ice. That summer, I sat down and wrote the first draft of “The Husband Stitch.” At the time, it was just a straight re-telling of the protagonist’s story from meeting her future husband to her head falling off; the metafictional elements and retellings of other urban legends came later in the editing process.
Continue reading Interview: Carmen Maria Machado