Leland Heathco, Joseph Bell (who could not be reached for an interview), and Brian Maddock co-authored a piece titled “Legacy in Red” which appeared in the 2014 edition of the Rain Shadow Review, an annual publication that consists of work by current or formerly incarcerated writers (you can read the story at the bottom of this post). I was struck by the powerfully executed reimagining of “Little Red Riding Hood,” in which the reader sees the concepts of power and gender reversed from the original. The red cape no longer represents a weak and startlingly naïve young girl, but instead a line of powerful women whose roles are complex and nuanced. In the same way that their characters consist of layers not previously attributed to them, interviewing these men helped me see past my preconceived notions and afforded me a richer, deeper view of a world that I had previously looked at with a certain shallowness. I encourage you to please look at the information provided after the interview about various prison writing programs and ways to become involved.
Brian Maddock is a 49 year-old kid-at-heart who graduated from AZ State University with a Bachelor’s in Computer Information Systems. He has worked in large IT departments developing and fixing software to help businesses operate. He enjoys hiking in the woods, swimming, reading fantastical stories, and public speaking. He has published poetry, essays, and children’s stories while incarcerated and would like to explore the medium of flash fiction. Brian gets a kick out of teaching beginning Spanish, computer basics, and essay writing, but enjoys learning equally well. He is an Arizona native and would love to eventually reside near the Pacific coast.
Leland Heathco was born on May 5th, 1957. He was raised in southern Alabama on the east coast of Mobile Bay, in a small farming community called Barnwell. Because of his father’s work as a pipe-fitter, the family traveled, which provided a cultural awakening for him as a young boy and gave him an early opportunity to learn about cultural diversity. Leland learned about working hard side-by-side with migrant workers on the farms. After dropping out of school in the eighth grade, his first job was working on a copper smelter down in the Playas Valley, not far from Animas, New Mexico. In May of 1975, he joined the Army for four years. He has been married twice and has four sons. Leland suffers from chronic free-spiritedness, and been to 27 states, including Hawaii. He also traveled to the Philippines, Germany, and the Isle of Crete, and firmly believes that travel is good for storytelling.
I understand that the piece was put together collaboratively between the three authors with no agreed upon theme or prevalent story line. Why do you think the story ended up as a reimagining of “Little Red Riding Hood”?
BM: This story began as nothing more than a blank notepad passed among three aspiring writers, each producing one line and passing it to the next as an exercise. The first line spoke of a hunter’s moon in a forest; the next author chose to add an owl on a branch. Ultimately, the word “wolf” led to a line of thought centered on the “Little Red Riding Hood” fairy tale. From there, the “red cape” developed into a symbol for a strong line of heroines, and soon the coalesced fantasy/fairy tale emerged from the amorphous lines we all contributed.
LH: The collaboration started the same way that most of my writing does. A word or a line comes to me that seems to stand out, begging for my attention, so I write it down. I’ve often thought that what I write already exists, and I’ve been fortunate that the words were given to me to write. I respect Brian and Joe as writers, and I don’t think this piece would have turned out the way it did without them. I was curious as to what might emerge if writers with different styles were to write together using a single sentence and no outline or story idea. The collaboration is the reason for the “Riding Hood” theme, which really materialized when the wolves were introduced. But, I did not want to write about Ms. Hood in the same way that she’s been depicted before. She brought herself into the story, but with a little help from me and my “Brothers of the Pen.” She is not a child, but a young woman coming of age, and coming to terms with a responsibility she does not want, however, there is honor and strength in her bloodline that will not allow her to back down from what’s before her. She is a thinker and a bad ass.